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  1. Chris Smith
    Post

    Forbidden Warrior - 1m2 Full Score

    This score illustrates that you don't need to have a lot of real instruments to get a full sound. [Somewhat unlike VIs]
    Post by: Chris Smith, Oct 31, 2019 in forum: Score Study Resources
  2. Chris Smith
    Thread

    Removed

    Removed
    Thread by: Chris Smith, Feb 24, 2019, 0 replies, in forum: Critique & Feedback
  3. Chris Smith
    Post

    General Musing

    In defense of the thematic content, I think we are a bit confused because the original piece presents just a little too much interesting material...
    Post by: Chris Smith, Jul 9, 2018 in forum: Tips, Tricks & Talk
  4. Chris Smith
    Post

    Crap comparison

    The 2014 piece seems (to me) to show the ability to orchestrate short 'action' flourishes but is a mishmash, where the later piece is more...
    Post by: Chris Smith, Jul 3, 2018 in forum: Critique & Feedback
  5. Chris Smith
    Post

    The Excelsior Class - Theme

    I'm sure that unnamed individual is a good person (and his dog surely loves him) ... but I'm gonna hate him because he got the score done much...
    Post by: Chris Smith, May 18, 2018 in forum: Critique & Feedback
  6. Chris Smith
    Post

    The Excelsior Class - Theme

    Alex, Let me see if I am clear on the birth of this piece: you did some studying of hand-written scores (and a lot of listening, of course),...
    Post by: Chris Smith, May 18, 2018 in forum: Critique & Feedback
  7. Chris Smith
    Post

    Debussy Homage Mov. 1 - FEEDBACK APPRECIATED

    My comments are more general and I may be repeating some other folks, but to my ears, the temporary harmonic excursions that Debussy is known for...
    Post by: Chris Smith, May 12, 2018 in forum: Critique & Feedback
  8. Chris Smith
    Post

    String Quartet - what now?

    This certainly makes sense. Regarding #1 above, some lucky composers get commissioned by performers and can therefore get direct feedback during...
    Post by: Chris Smith, Apr 27, 2018 in forum: Critique & Feedback
  9. Chris Smith
    Post

    String Quartet - what now?

    Some folks are lucky enough to (i) write music of a style that has instant appeal to a broad audience, and/or (ii) create music collaboratively,...
    Post by: Chris Smith, Apr 27, 2018 in forum: Critique & Feedback
  10. Chris Smith
    Post

    String Quartet - what now?

    Yep ... I'm afraid it does make sense. You're giving me a lot of homework. Much needed :)
    Post by: Chris Smith, Apr 27, 2018 in forum: Critique & Feedback
  11. Chris Smith
    Post

    String Quartet - what now?

    Academia (and those new music festivals) are where your piece can receive the mental attention this style needs. The wide world of pop music and...
    Post by: Chris Smith, Apr 27, 2018 in forum: Critique & Feedback
  12. Chris Smith
    Post

    String Quartet - what now?

    Thanks all for the feedback so far ... in fact, double thanks given this is probably not the normal fare. Doug, you correctly interpreted the...
    Post by: Chris Smith, Apr 25, 2018 in forum: Critique & Feedback
  13. Chris Smith
    Thread

    String Quartet - what now?

    I’m looking for helpful feedback on a string quartet … perhaps this is the place. [Warning: this music is neither 2 minutes nor ‘epic’; it’s 3...
    Thread by: Chris Smith, Apr 24, 2018, 14 replies, in forum: Critique & Feedback
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