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    <title>Scoring 1</title>
    <description>Scoring 1</description>
    <pubDate>Wed, 24 Jun 2026 06:06:07 +0000</pubDate>
    <lastBuildDate>Wed, 24 Jun 2026 06:06:07 +0000</lastBuildDate>
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    <link>https://redbanned.com/forums/scoring-1.43/</link>
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    <item>
      <title>Scoring 2 question on continuity of development</title>
      <pubDate>Wed, 23 Aug 2023 20:58:22 +0000</pubDate>
      <link>https://redbanned.com/threads/scoring-2-question-on-continuity-of-development.1771/</link>
      <guid>https://redbanned.com/threads/scoring-2-question-on-continuity-of-development.1771/</guid>
      <author>invalid@example.com (Jure Jerebic)</author>
      <dc:creator>Jure Jerebic</dc:creator>
      <content:encoded><![CDATA[Hi Mike,<br />
<br />
I didn&#039;t see a subforum for Scoring 2, so I&#039;ll ask here. As you&#039;ve displayed two separate examples of working within aspects of development within a piece from chaotic and back to tonal (Jurassic Park example), I wanted to ask your opinion on a score, specifically how it handles this aspect from your point of view (opinion). Maybe you could have a quick listen to the &quot;Dark Times&quot; cue from the Star Wars Jedi: Survivor soundtrack and let me know what you think, I&#039;m really curious to...<br />
<br />
<a href="https://redbanned.com/threads/scoring-2-question-on-continuity-of-development.1771/" target="_blank" class="externalLink" rel="nofollow">Scoring 2 question on continuity of development</a>]]></content:encoded>
      <slash:comments>7</slash:comments>
    </item>
    <item>
      <title>SCORING 1 - Video</title>
      <pubDate>Sat, 02 Feb 2019 18:24:54 +0000</pubDate>
      <link>https://redbanned.com/threads/scoring-1-video.711/</link>
      <guid>https://redbanned.com/threads/scoring-1-video.711/</guid>
      <author>invalid@example.com (Mike Verta)</author>
      <dc:creator>Mike Verta</dc:creator>
      <content:encoded><![CDATA[<div data-s9e-mediaembed="vimeo" style="display:inline-block;width:100%;max-width:640px"><div style="overflow:hidden;position:relative;padding-bottom:56.25%"><iframe allowfullscreen="" scrolling="no" src="//player.vimeo.com/video/90391497" style="border:0;height:100%;left:0;position:absolute;width:100%"></iframe></div></div>]]></content:encoded>
    </item>
    <item>
      <title>Scoring dialogue scenes questions</title>
      <pubDate>Sat, 13 Oct 2018 09:17:46 +0000</pubDate>
      <link>https://redbanned.com/threads/scoring-dialogue-scenes-questions.579/</link>
      <guid>https://redbanned.com/threads/scoring-dialogue-scenes-questions.579/</guid>
      <author>invalid@example.com (Daniele Nasuti)</author>
      <dc:creator>Daniele Nasuti</dc:creator>
      <content:encoded><![CDATA[Hi <a href="https://www.redbanned.com/members/1/" class="username" data-user="1, @Mike Verta">@Mike Verta</a>  I finished to study SCORING 1 and I have 2 questions.<br />
<br />
<span style="font-size: 14px">1 )<br />
2,39,45 – I didn’t understand about the mixing and balance of the music in real time. It’s done by a volume automation or do you lower the fader manually only for that moment, so then the CUE will be all at the same volume when you deliver it? <br />
And you do it only for the master fader or also sometimes for singular instruments? <br />
If it is by automation, when you deliver your music you leave...</span><br />
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<a href="https://redbanned.com/threads/scoring-dialogue-scenes-questions.579/" target="_blank" class="externalLink" rel="nofollow">Scoring dialogue scenes questions</a>]]></content:encoded>
      <slash:comments>2</slash:comments>
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