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    <title>Composition 1</title>
    <description>Composition 1</description>
    <pubDate>Sat, 27 Jun 2026 18:14:56 +0000</pubDate>
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      <title>You favourite cues of JW underscore?</title>
      <pubDate>Wed, 18 Dec 2019 03:49:28 +0000</pubDate>
      <link>https://redbanned.com/threads/you-favourite-cues-of-jw-underscore.982/</link>
      <guid>https://redbanned.com/threads/you-favourite-cues-of-jw-underscore.982/</guid>
      <author>invalid@example.com (Luke Johnson)</author>
      <dc:creator>Luke Johnson</dc:creator>
      <content:encoded><![CDATA[So I’m rewatching Composition 1 and got to where Mike is talking about underscore and how masterful JW is and how musical his underscore is. Can anyone give me examples of their favourite underscore cues that JW has written? Would be interesting to check some different music out!<br />
<br />
Thanks<br />
<br />
Jono]]></content:encoded>
      <slash:comments>6</slash:comments>
    </item>
    <item>
      <title>Writing on dated (old School) styles</title>
      <pubDate>Thu, 04 Jul 2019 05:51:01 +0000</pubDate>
      <link>https://redbanned.com/threads/writing-on-dated-old-school-styles.856/</link>
      <guid>https://redbanned.com/threads/writing-on-dated-old-school-styles.856/</guid>
      <author>invalid@example.com (Tomas Iglesias)</author>
      <dc:creator>Tomas Iglesias</dc:creator>
      <content:encoded><![CDATA[Hey guys, catching up with masterclasses in 2019!<br />
<br />
So in this class Mike says that his style &#039;is not in vogue anymore&#039; (or something like that). The class was filmed like 6 years ago. So my question is, is this still the case?<br />
<br />
If we like the old style (Goldsmith, Steiner, Poledouris, John WIlliams, Silvestri, etc) are we doomed to fail in the business? Should we study the old style if nobody uses it anymore? <br />
<br />
I once wrote a piano piece in the Style of J.S. Bach for Uni and almost got a...<br />
<br />
<a href="https://redbanned.com/threads/writing-on-dated-old-school-styles.856/" target="_blank" class="externalLink" rel="nofollow">Writing on dated (old School) styles</a>]]></content:encoded>
      <slash:comments>1</slash:comments>
    </item>
    <item>
      <title>Writing on Piano</title>
      <pubDate>Fri, 11 Aug 2017 18:56:53 +0000</pubDate>
      <link>https://redbanned.com/threads/writing-on-piano.124/</link>
      <guid>https://redbanned.com/threads/writing-on-piano.124/</guid>
      <author>invalid@example.com (Rohann van Rensburg)</author>
      <dc:creator>Rohann van Rensburg</dc:creator>
      <content:encoded><![CDATA[Mike (and others), I think you mention in this video (don&#039;t remember if it&#039;s Comp 1 or 2 now) that it&#039;s important to boil down ideas into basic, two-hand playable parts before orchestrating and fleshing them out.<br />
<br />
I have to ask -- does writing parts intended for different instruments get easier with a lot of transcription and time? I assume the answer is obvious, but I more specifically wonder if one can &quot;hear&quot; the instruments in one&#039;s head more easily when writing on piano eventually. For...<br />
<br />
<a href="https://redbanned.com/threads/writing-on-piano.124/" target="_blank" class="externalLink" rel="nofollow">Writing on Piano</a>]]></content:encoded>
      <slash:comments>1</slash:comments>
    </item>
    <item>
      <title>COMPOSITION 1 - Video</title>
      <pubDate>Wed, 26 Jul 2017 11:41:54 +0000</pubDate>
      <link>https://redbanned.com/threads/composition-1-video.114/</link>
      <guid>https://redbanned.com/threads/composition-1-video.114/</guid>
      <author>invalid@example.com (Mike Verta)</author>
      <dc:creator>Mike Verta</dc:creator>
      <content:encoded><![CDATA[<div data-s9e-mediaembed="vimeo" style="display:inline-block;width:100%;max-width:640px"><div style="overflow:hidden;position:relative;padding-bottom:56.25%"><iframe allowfullscreen="" scrolling="no" src="//player.vimeo.com/video/86475113" style="border:0;height:100%;left:0;position:absolute;width:100%"></iframe></div></div>]]></content:encoded>
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