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    <title>Action Scenes</title>
    <description>Action Scenes</description>
    <pubDate>Fri, 26 Jun 2026 19:12:53 +0000</pubDate>
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      <title>Story and the dramatic structure of a film</title>
      <pubDate>Fri, 02 Jul 2021 22:50:22 +0000</pubDate>
      <link>https://redbanned.com/threads/story-and-the-dramatic-structure-of-a-film.1376/</link>
      <guid>https://redbanned.com/threads/story-and-the-dramatic-structure-of-a-film.1376/</guid>
      <author>invalid@example.com (David Rubenstein)</author>
      <dc:creator>David Rubenstein</dc:creator>
      <content:encoded><![CDATA[Mike&#039;s video class on &quot;Action Scenes&quot; brings up a number of provocative issues. This is not the only class where Mike brings up these issues. But for me, this was the class where I first heard it.<br />
<br />
Why should a director hire a composer to custom-compose a score? Why not just select tracks from a music production library? I believe Mike answered this question with something like this: &quot;Because there is no visual that is more powerful or important than music. The job of a composer is more...<br />
<br />
<a href="https://redbanned.com/threads/story-and-the-dramatic-structure-of-a-film.1376/" target="_blank" class="externalLink" rel="nofollow">Story and the dramatic structure of a film</a>]]></content:encoded>
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      <title>ACTION SCENES - Video</title>
      <pubDate>Sat, 02 Feb 2019 18:25:34 +0000</pubDate>
      <link>https://redbanned.com/threads/action-scenes-video.712/</link>
      <guid>https://redbanned.com/threads/action-scenes-video.712/</guid>
      <author>invalid@example.com (Mike Verta)</author>
      <dc:creator>Mike Verta</dc:creator>
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